STUDENT INNOVATION IN DANCE EDUCATION IN THE PERSPECTIVE OF DIGITALISM AND FUTURISM
DOI:
https://doi.org/10.37301/cerdas.v14i1.363Keywords:
Keywords: Digitalism, Futurism, Dance Art. InnovationAbstract
This study discusses two schools of thought, namely digitalism and futurism, and examines how these two schools of thought are relevant to dance education in the curriculum of the Primary School Teacher Education Program (PGSD). The purpose of this research is to examine digitalism and futurism in dance education as part of the PGSD study program curriculum, which is undergoing rapid transformation in line with the development of digital and futuristic technology. In addition, this research aims to identify the influence of digitalism and futurism on how PGSD students learn and teach dance. Digitalism as an approach utilized in the digital technology era to expand the scope, methods, and representations in dance education; futurism as an innovative art movement to incorporate the use of technology and modern dynamics as aesthetics and expression in dance education. This study uses a qualitative method with a literature review approach to understand how these two movements can enrich the aesthetics, pedagogy, and competence of students in dance education, as well as observation to explore the understanding, challenges, and potential of integrating digital technology and futuristic trends in dance education. The results of this study can provide insights for the development of dance learning methods that are more relevant to the times. This research also discusses that the digitization of dance learning can increase digital literacy, interest in learning, and pedagogical innovation, while the principles of futurism challenge classical traditions and trigger creative thinking in creating choreographic movements and performativism.
References
Anderson, J. D. (2010). Dance Education: The Art of Teaching and Learning. Human: Kinetics.
Andi Ria Wardae, M. A. (2023). Pengembangan Bahan Ajar Seni Budaya dan Keterampilan berbasis kearifan lokal terintegrasi nilai nilai keislaman . Didaktika , 23-30.
Asmarani, R. W. (2020). Pengetahuan Praktis tentang Seni Tari bagi Guru SD/MI Pendidikan Seni Tari. Tebuireng Jombang.: LPPM UNHASY .
Azzahra Cantika Maharani, R. I. (2023). Evaluasi Usability Portal Akademik Mahasiswa Menggunakan Metode Think Aloud (Studi Kasus: Politeknik Keuangan Negera STAN. Jurnal Informatika Teknologi dan Sains, 226-233.
Crewell, W. J. (2014). Research Design : Qualitative and Mixed Methods Approachenes. SAGE: Publications.
Daryanti, F. J. (2019). Digitalisasi Tari Tradisi: Strategi Untuk menghadapi Era Revolusi Industri 4.0. Semarang: Universitas Negeri Semarang.
Feinstein, S. (2015). Digital Culture and Education: Teaching and Learning in Virtual Worlds. Francis: Routledge.
Gusti Ayu Made Puspawati, K. D. (2020). Literasi Digital: Inovasi Pembelajaran Seni Tari di Era 4.0. Inovasi Pembelajaran Pendidikan Seni Drama, tari dan Musik , 1-18.
Iwansyah, A. (2024). PENDAMPINGAN ORANG TUA DAN GURU PAUD PADA ERA TEKNOLOGI DIGITAL DI TK J.A WARRAIHAN . Jurnal pengabdian masyarakat (TAROA), 158-166.
James, F. J. (2004). Program Evaluation Alternative Approaches and Practical Guidelines . Pearson Education Inc: Boston .
Karasawa, S. (2019). Technology and the Arts: Aesthetics, Methods, and Culture. New York: Springer.
Laila Fitriah, Y. I. (2022). Ideologi Pendidikan Melalui Seni Musik dalam sebuah Kreatifitas . Jurnal Mebang (Kajian Budaya Musik dan Pendidikan Musik ), 59-66.
Laudon, K. C. (2014). Management Information Systems: Managing the Digital Firm. (13th ed.): Pearson Education.
Muflikhul Khaq, P. P. (2023). PENGEMBANGAN MEDIA INTERAKTIF BERBASIS ANDROID BERMUATAN KEARIFAN LOKAL PADA MATERI PENGENALAN ALAT MUSIK DAERAH UNTUK SEKOLAH DASAR PURWOREJO. Jurnal CERDAS Proklamator, 205-217.
Muh Nivfaqul Fauzan, M. F. (2025). Pengembangan Video Pembelajaran Berbasis Augmented Reality Materi IPS Menguatkan Student Engament Siswa Kelas V SD Sidodi 1 Kabupaten Blitar. Jurnal CERDAS Proklamator, 95--107.
Muharika, A. d. (2019). Metodologi Penelitian Evaluasi Program . Bandung: Alfabeta.
Nurul Mukhlisah abdal, I. S. (2022). Pengembangan Instrumen Evaluasi Program Asisten Mengajar di Satuan Pendidiakn Mandiri Program Studi Pendidikan Teknik Informasi dan Komputer untuk mitra Sekolah dengan Model CIPP. Information Technology Education Journal , 18-22.
O'Brien, J. A. (2011). Management Information Systems. (10th ed.) : McGraw-Hill/Irwin.
Overby, L. Y. (2024). The Intellect Handbook of Dance Education Research. Eds: Intellect.
Puspawati, G. A. (2021). Literasi Digital: Inovasi Pembelajaran Seni Tari di Era 4.0. Widyadharma Prosiding (pp. 123-128). Bali: Widyadharma Prosiding.
Rahmawati Darussyamsu, N. S. (2020). PENDIDIKAN KELUARGA YANG MEMAHAMI PERBEDAAN. Jurnal Perspektif Pendidikan, 109-124.
Sudirman, A. (2020). Metodologi Penelitian Pendekatan Multidisipliner. Bandung: CV Media Sains Indonesia.
Sugiyono. (2018). Metode Penelitian Kuantitatif, Kualitatif, dan R&D. Jakarta: Alfabeta.
Thorndike, R. M. (1991). Measurement and Evaluation in Psychology and Education. New York: Macmillan Publishing Co, Inc.
Tyler. (1950). Models of Teaching. New Yersey. Prentice-Hall, Inc, Englewood.
Untung Slamet Sugiyarto, Y. W. (2020). MEDIA PEMBELAJARAN POWERPOINT INTERAKTIF DALAM PEMBELAJARAN DARING DI SEKOLAH DASAR . Jurnal CERDAS Proklamator, 118-123.
Wells, H. (2006). Digital Art and Culture: A Critical Introduction. Prentice: Hall.
Wholey, S. J. (2010). Handbook Of Practical Program Evaluation. San Fransisco: Jossey-Bass.
Yeniningsih, T. K. (2018). Pendidikan Seni Tari: Buku untuk Mahasiswa. Syiah Kuala: University Press.
Yin, R. K. (2018). Case Study Research and Applications: Design and Methods (6th ed.). Sage: Publications.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Jurnal Cerdas Proklamator

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copy right in each article belong to the authors.
1. The author acknowledges that the Journal Cerdas Proklamator as a publisher who publishes for the first time with the
Creative Commons Attribution 4.0 International License.
2. The Author can enter the writing separately, manage the non exclusive distribution of manuscripts that have been published in this journal into the other versions (eg sent to the repository of the author's institution, publication in book, etc), by acknowledge that the manuscript was first published in the Jurnal Cerdas Proklamator.


